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The Boswell Sisters were a close harmony singing group, consisting of sisters Martha Boswell Lloyd (June 9, 1905 – July 2, 1958), Connee Boswell (original name Connie, December 3, 1907 – October 11, 1976), and Helvetia 'Vet' Boswell (May 20, 1911 – November 12, 1988), noted for intricate harmonies and rhythmic experimentation. They attained national prominence in the United States in the 1930s.


Career

The sisters came to be well known in New Orleans while still in their early teens, making appearances in local theaters and on the emerging medium of radio. By the early 1920s they were performing regularly at local vaudeville theaters, with an act that combined classical, semiclassical, and jazz styles—though, as their popularity increased, the classics faded into the background. The sisters performed as they would for virtually their entire career: Martha and Connie seated at the piano, with Vet close behind. This arrangement served to disguise Connie's inability to walk, a condition whose source has never been fully confirmed. A childhood bout with polio and a go-cart accident are the two main hypotheses, and Connie backed up both of them in various media sources. One theory holds that Meldania crafted the go-cart accident story in order to spare her daughter the stigma attached to the disease.

In 1925 they made their first record for the Victor Records. After going on tour with a vaudeville company, through Arkansas, Texas, and Oklahoma, the sisters landed in Los Angeles in 1929. They appeared on radio programs and recorded music to be dubbed into films. However, the Boswell Sisters did not attain national attention until they moved to New York City in 1930 and started making national radio broadcasts. The trio had a program on CBS from 1931 to 1933.

After a few recordings for OKeh Records, recorded in Los Angeles in 1930, they made numerous recordings for Brunswick Records from 1931-1935. These Brunswick records are widely regarded as milestone recordings of vocal jazz. Connee's reworkings of the melodies and rhythms of popular songs, together with Glenn Miller's arrangements and New York jazz musicians (including the Dorsey Brothers, Benny Goodman, Bunny Berigan, Fulton McGrath, Joe Venuti, Arthur Schutt, Eddie Lang, Joe Tarto, Manny Klein, Dick McDonough, and Carl Kress), made these recordings unlike any others. Melodies were rearranged and slowed down, major keys were changed to minor keys (sometimes in mid-song), and unexpected rhythmic changes were par for the course. They were among the very few performers who were allowed to make changes to current popular tunes; during this era music publishers and record companies pressured performers not to alter current popular song arrangements. Connee also recorded a series of more conventional solo records for Brunswick during the same period.

The Boswell Sisters appeared in films during this time. They sang their 1934 song 'Rock and Roll' in the film Transatlantic Merry-Go-Round, bringing with them an early use of the phrase rock 'n' roll, referring in the song to 'the rolling rocking rhythm of the sea'. They sang the lively 'Shout, Sister, Shout' (1931), written by Clarence Williams, in the 1932 film The Big Broadcast, which featured Bing Crosby and Cab Calloway. (The song was also featured in the show Boardwalk Empire, S5:E5.) The song, one of the sisters' signature tunes, was described in a 2011 issue of the music magazine Mojo as 'by no means as archaic as its age'.

The Boswell Sisters chalked up 20 hits during the 1930s, including the number-one record 'The Object of My Affection' (1935). (Of special note is their involvement in a handful of 12' medley/concert recordings made by Red Nichols, Victor Young and Don Redman and their 1934 recording of 'Darktown Strutters' Ball', which was issued only in Australia.) They also completed two successful tours of Europe, appeared on the inaugural television broadcast of CBS, and performed on Hello, Europe, the first internationally broadcast radio program.

The Boswell Sisters were among radio's earliest stars, making them one of the first hit acts of the mass-entertainment age. In 1934, the Sisters appeared 13 times on the Bing Crosby Entertains radio show on CBS. They were featured in fan magazines, and their likenesses were used in advertisements for beauty and household products. During the early 1930s the Boswell Sisters, Three X Sisters, and Pickens Sisters were the talk of early radio female harmonizing. The Andrews Sisters started out as imitators of the Boswell Sisters. Young Ella Fitzgerald loved the Boswell Sisters and in particular idolized Connee, after whose singing style she patterned her own.

In 1936, the group signed to Decca, but after just three records they broke up. The last recording was February 12, 1936. Connie Boswell continued to have a successful solo career as a singer for Decca. She changed the spelling of her name from Connie to Connee in the 1940s, reputedly because it made it easier to sign autographs. When she tried to get involved with the overseas USO tours during World War II, she was not given permission to travel overseas because of her disability.

Later groups the Pfister Sisters, the Stolen Sweets, Boswellmania, the Puppini Sisters, YazooZazz, the Spanish group O Sister!, the Italian trio Sorelle Marinetti, and the Israeli band the Hazelnuts imitated the sisters' recordings. Canada's Company B Jazz Band includes many Boswell Sisters arrangements in its repertoire and even created a set saluting the Boswells' appearance in Transatlantic Merry-Go-Round for the cover of their second album, Rock & Roll. The Ditty Bops have covered Boswell Sisters songs in concert. Caffeine Trio from Brazil, also claims to have been influenced by them. There is also an Australian group, the Boswell Project, based in Adelaide, South Australia. London harmony trio, The Haywood Sisters, have also recorded some Boswell Sisters hits and are hugely influenced by their style.

In 2001, The Boswell Sisters, a major musical based on their lives, was produced at the Old Globe Theatre in San Diego, California. The play starred Michelle Duffy, Elizabeth Ward Land, and Amy Pietz and was produced by the same team that produced Forever Plaid. The show was a hit with audiences and a critical success, but failed to be picked up for a much hoped-for Broadway run.

The Boswell Sisters were inducted into the Vocal Group Hall of Fame in 1998. At a ceremony covered by the Pfister Sisters, the Boswells were inducted into the Louisiana Music Hall of Fame in 2008.

In 2014, Vet's daughter and granddaughter published The Boswell Legacy, the first comprehensive book on the life and times of this influential group.
Sorted by Sorted by album (Time) Sorted by song name (Characters) Sorted by other
Album name Release Date  Song    
That's How Rhythm Was Born 2010-05
1.The Object of My Affection
2.Shuffle Off To Buffalo
3.Forty-Second Street
4.Sleep Come On And Take Me
Cheek To Cheek 1935
1.Heebie Jeebies - Remastered
2.Alexander's Ragtime Band - Remastered
3.St. Louis Blues - Remastered
4.Dinah - Remastered
5.Mood Indigo - Remastered
6.Everybody Loves My Baby
7.When I Take My Sugar to Tea
The Object of My Affection
1.St Louis Blues
2.It Don't Mean a Thing
3.Heebie Jeebies
4.Everybody Loves My Baby
5.Dinah
6.Mood Indigo
7.When I Take My Sugar to Tea
Shout, Sister, Shout!
1.You Oughta Be In Pictures (My Star of Stars)
2.Heebie Jeebies
3.Everybody Loves My Baby
4.When I Take My Sugar to Tea
5.Dinah
Collection, Volume 2
1.My Future Just Passed
2.I Surrender, Dear
3.Stardust
4.Heebie Jeebies
Boswell Sisters Anthologie
1.Time on My Hands
2.The Darktown Strutters' Ball
3.I'm Gonna Sit Right Down and Write Myself a Letter
4.St. Louis Blues
5.Heebie Jeebies
6.Everybody Loves My Baby
7.Dinah
Best Of
1.When I Take My Sugar to Tea
2.Shout, Sister, Shout
3.I Found a Million Dollar Baby
4.Heebie Jeebies
5.Put That Sun Back in the Sky
6.Everybody Loves My Baby
7.There'll Be Some Changes Made
Miscellaneous
1.Alexander's Ragtime Band
2.Mood Indigo (Live)
3.Sophisticated Lady
4.Why Don't You Practice What You Preach?
5.The Music Goes 'Round and 'Round
6.When I Take My Sugar to Tea (Remastered 2003 version)
7.Minnie the Moocher's Wedding Day
8.That's How Rhythm Was Born
9.Gee, but I'd Like to Make You Happy
10.Lullaby of Broadway
11.Crazy People
12.Coffee in the Morning (Kisses in the Night)
13.Doggone, I've Done It
14.It's Written All Over Your Face
15.Every Little Moment
16.Got the South in My Soul
17.Between the Devil and the Deep Blue Sea
18.Down On the Delta
19.Stop the Sun, Stop the Moon
20.When I Take My Sugar to Tea (Remastered)
21.Shuffle Off to Buffalo (Remastered)
22.The Sentimental Gentleman from Georgia (Remastered)
23.Rock and Roll (Remastered)
24.Louisiana Hayride
25.Top Hat, White Tie and Tails (Remastered)
26.Down Among the Sheltering Palms (Remastered)
27.Why Don't You Pratice What You Preach
28.When It's Sleepy Time Down South (Remastered)
29.When I Take My Sugar to the Tea

Correction of errors in the album information